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So the highlights are some combo of yellow ochre, cad red, and ultramarine (and white). Its likely mostly cad red, a little bit of yellow ochre to shift it more towards orange, and then ultramarine to lower its chroma. I like to use a primary palette whenever possible to simplify mixing and make it more unified. Looking back on this one I really wish I didnt throw the turquoise on the top of the mountains.
I tried Cad red, ultramarine blue, titanium white and a touch of arylide yellow the other day with decent results. I can't seem to find trans red oxide anywhere in the local shops, but have heard it's really good for offsetting overly green landscapes...
And I love how your brushstrokes give the painting movement even though it's such a still scene. It truly gives the feel of the movement of light in water, which is fitting, considering what you said about "land snorkeling".